15 Worth Dying For

  WORTH

  DYING FOR

  Lee Child

  Contents

  Cover

  Title

  Copyright

  Dedication

  Also by Lee Child

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Chapter Twenty-Three

  Chapter Twenty-Four

  Chapter Twenty-Five

  Chapter Twenty-Six

  Chapter Twenty-Seven

  Chapter Twenty-Eight

  Chapter Twenty-Nine

  Chapter Thirty

  Chapter Thirty-One

  Chapter Thirty-Two

  Chapter Thirty-Three

  Chapter Thirty-Four

  Chapter Thirty-Five

  Chapter Thirty-Six

  Chapter Thirty-Seven

  Chapter Thirty-Eight

  Chapter Thirty-Nine

  Chapter Forty

  Chapter Forty-One

  Chapter Forty-Two

  Chapter Forty-Three

  Chapter Forty-Four

  Chapter Forty-Five

  Chapter Forty-Six

  Chapter Forty-Seven

  Chapter Forty-Eight

  Chapter Forty-Nine

  Chapter Fifty

  Chapter Fifty-One

  Chapter Fifty-Two

  Chapter Fifty-Three

  Chapter Fifty-Four

  Chapter Fifty-Five

  Chapter Fifty-Six

  Chapter Fifty-Seven

  Chapter Fifty-Eight

  Chapter Fifty-Nine

  Chapter Sixty

  Chapter Sixty-One

  Chapter Sixty-Two

  About the Author

  This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

  Version 1.0

  Epub ISBN 9781407083131

  www.randomhouse.co.uk

  TRANSWORLD PUBLISHERS

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  A Random House Group Company

  www.rbooks.co.uk

  First published in Great Britain

  in 2010 by Bantam Press

  an imprint of Transworld Publishers

  Copyright © Lee Child 2010

  Lee Child has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.

  This book is a work of fiction and, except in the case of historical fact, any resemblance to actual persons, living or dead, is purely coincidental.

  A CIP catalogue record for this book is available from the British Library.

  ISBNs 9780593065662 (cased) 9780593065679 (tpb)

  This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser.

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  Typeset in 11/14pt Century Old Style by Kestrel Data, Exeter, Devon. Printed and bound in Great Britain by Clays Ltd, Bungay, Suffolk.

  2 4 6 8 10 9 7 5 3 1

  For Ruth

  my daughter

  Also by Lee Child

  KILLING FLOOR

  DIE TRYING

  TRIPWIRE

  THE VISITOR

  ECHO BURNING

  WITHOUT FAIL

  PERSUADER

  THE ENEMY

  ONE SHOT

  THE HARD WAY

  BAD LUCK AND TROUBLE

  NOTHING TO LOSE

  GONE TOMORROW

  61 HOURS

  For more information on Lee Child and his books,

  see his website at www.jackreacher.co.uk

  ONE

  ELDRIDGE TYLER WAS DRIVING A LONG STRAIGHT TWO-LANE ROAD in Nebraska when his cell phone rang. It was very late in the afternoon. He was taking his granddaughter home after buying her shoes. His truck was a crew-cab Silverado the colour of a day-old newspaper, and the kid was flat on her back on the small rear seat. She was not asleep. She was lying there wide awake with her legs held up. She was staring fascinated at the huge white sneakers wobbling around in the air two feet above her face. She was making strange sounds with her mouth. She was eight years old. Tyler figured she was a late developer.

  Tyler’s phone was basic enough to be nothing fancy, but complex enough to have different ringtones against different numbers. Most played the manufacturer’s default tune, but four were set to sound a low urgent note halfway between a fire truck siren and a submarine’s dive klaxon. And that sound was what Tyler heard, in the late afternoon, on the long straight two-lane road in Nebraska, ten miles south of the outlet store and twenty miles north of home. So he fumbled the phone up from the console and hit the button and raised it to his ear and said, ‘Yes?’

  A voice said, ‘We might need you.’

  Tyler said, ‘Me?’

  ‘Well, you and your rifle. Like before.’

  Tyler said, ‘Might?’

  ‘At this stage it’s only a precaution.’

  ‘What’s going on?’

  ‘There’s a guy sniffing around.’

  ‘Close?’

  ‘Hard to say.’

  ‘How much does he know?’

  ‘Some of it. Not all of it yet.’

  ‘Who is he?’

  ‘Nobody. A stranger. Just a guy. But he got involved. We think he was in the service. We think he was a military cop. Maybe he didn’t lose the cop habit.’

  ‘How long ago was he in the service?’

  ‘Ancient history.’

  ‘Connections?’

  ‘None at all, that we can see. He won’t be missed. He’s a drifter. Like a hobo. He blew in like a tumbleweed. Now he needs to blow out again.’

  ‘Description?’

  ‘He’s a big guy,’ the voice said. ‘Six-five at least, probably two-fifty. Last seen wearing a big old brown parka and a wool cap. He moves funny, like he’s stiff. Like he’s hurting.’

  ‘OK,’ Tyler said. ‘So where and when?’

  ‘We want you to watch the barn,’ the voice said. ‘All day tomorrow. We can’t let him see the barn. Not now. If we don’t get him tonight, he’s going to figure it out eventually. He’s going to head over there and take a look.’

  ‘He’s going to wa
lk right into it, just like that?’

  ‘He thinks there are four of us. He doesn’t know there are five.’

  ‘That’s good.’

  ‘Shoot him if you see him.’

  ‘I will.’

  ‘Don’t miss.’

  ‘Do I ever?’ Tyler said. He clicked off the call and dumped the phone back on the console and drove on, the little girl’s new shoes waving in his mirror, dead winter fields ahead, dead winter fields behind, darkness to his left, the setting sun to his right.

  The barn had been built long ago, when moderate size and wooden construction had been appropriate for Nebraska agriculture. Its function had since been supplanted by huge metal sheds built in distant locations chosen solely on the basis of logistical studies. But the old place had endured, warping slowly, rotting slowly, leaning and weathering. All around it was an apron of ancient blacktop that had been heaved by winter frosts and cracked by summer sun and laced with wiry weeds. The main door was a slider built of great baulks of timber banded together with iron, hung off an iron rail by iron wheels, but the gradual tilt of the building had jammed it solid in its tracks. The only way in was the judas hole, which was a small conventional door inset in the slider, a little left of its centre, a little smaller than man-sized.

  Eldridge Tyler was staring at that small door through the scope on his rifle. He had been in position an hour early, well before dawn, a precaution he considered prudent. He was a patient man. And thorough. And meticulous. He had driven his truck off the road and followed winding tractor ruts through the dark, and he had parked in an ancient three-sided shelter designed long ago to keep spring rain off burlap fertilizer sacks. The ground was frozen hard and he had raised no dust and left no sign. He had shut down the big V-8 and stepped back to the shelter’s entrance and tied a tripwire across it, made of thin electric cable insulated with black plastic, set shin-high to a tall man.

  Then he had walked back to his truck, and he had climbed into the load bed, and he had stepped on the roof of the cab, and he had passed his rifle and a canvas tote bag up on to a half-loft built like a shelf under the shelter’s peaked roof. He had levered himself up after them, and crawled forward, and eased a loose louvre out of the ventilation hole in the loft’s gable wall, which would give him a clear view of the barn exactly a hundred and twenty yards north, just as soon as there was light in the sky. No luck involved. He had scouted the location many years before, the first time his four friends had called on him for help, and he had prepared well, driving in the nails for the tripwire, pacing out the distance to the barn, and loosening the louvre. Now he had once again gotten comfortable up on the half-loft, and he had kept as warm as he could, and he had waited for the sun to come up, which it had eventually, pale and wan.

  His rifle was the Grand Alaskan model built in America by the Arnold Arms Company. It was chambered for the .338 Magnum and fitted with a 26-inch barrel and had a stock carved from exhibition-grade English walnut. It was a seven-thousand-dollar item, good against most anything on four legs, better than good against anything on two. The scope was by Leica, a nine-hundred-dollar Ultravid with a standard crosshairs engraving on the reticle. Tyler had it zoomed through about two-thirds of its magnification so that at a hundred and twenty yards it showed a circular slice of life about ten feet high and ten feet across. The pale morning sun was low in the east, and its soft grey light was coming in almost horizontal across the dormant land. Later it would rise a little and swing south, and then it would fall away into the west, all of which was good, because it meant even a target wearing a brown coat would stand out well against the brown of the faded timber baulks, all day long.

  Tyler worked on the assumption that most people were right-handed, and therefore his target would stand a little left of centre so that his right hand when extended would meet the handle in the middle of the judas hole’s narrow panel. He further figured that a man who was stiff and hurting would stand in close, to limit his required range of movement to what was most comfortable. The door itself was less than six feet high, but because it was inset in the larger slider its lower edge was about nine inches above the grade. A man six feet five inches tall had the centre of his skull about seventy-three inches off the ground, which in terms of the vertical axis put the optimum aiming point about six inches below the top of the judas hole. And a man who weighed 250 pounds would be broad in the shoulders, which at the moment of trying to open the door would put the centre of his skull maybe a foot and a half left of his right hand, which in terms of the horizontal axis would put the aiming point about six inches beyond the left edge of the door.

  Six inches down, six inches left. Tyler reached back and pulled two plastic packages of long-grain rice from his canvas tote bag. Brand new from the grocery store, five pounds each. He stacked them under the rifle’s forestock and tamped the fine walnut down into them. He snuggled behind the butt and put his eye back to the scope and laid the crosshairs on the top left corner of the door. He eased them down, and eased them left. He laid his finger gently against the trigger. He breathed in, and breathed out. Below him his truck ticked and cooled and the living smells of gasoline and cold exhaust drifted up and mixed with the dead smells of dust and old wood. Outside, the sun continued to climb and the light grew a little stronger. The air was damp and heavy, cold and dense, the kind of air that keeps a baseball inside the park, the kind of air that cradles a bullet and holds it straight and true.

  Tyler waited. He knew he might have to wait all day, and he was prepared to. He was a patient man. He used the dead time visualizing the sequence of possible events. He imagined the big man in the brown coat stepping into the scope’s field of view, stopping, standing still, turning his back, putting his hand on the handle.

  A hundred and twenty yards.

  A single high velocity round.

  The end of the road.

  TWO

  JACK REACHER WAS THE BIG MAN IN THE BROWN COAT, AND FOR HIM that particular road had started four miles away, in the middle of an evening, with a ringing telephone in a motel lounge at a crossroads, where a driver who had given him a ride had let him out before turning in a direction Reacher didn’t want to go. The land all around was dark and flat and dead and empty. The motel was the only living thing in sight. It looked like it had been built forty or fifty years earlier in a burst of commercial enthusiasm. Perhaps great possibilities had been anticipated for that location. But clearly the great possibilities had never materialized, or perhaps they had been illusions to begin with. One of the four crossroads lots held the abandoned shell of a gas station. Another had a poured foundation, perhaps for a large store or even a small mall, with nothing ever built on it. One was completely empty.

  But the motel had endured. It was an adventurous design. It looked like the drawings Reacher had seen as a kid in boys’ comic books, of space colonies set up on the moon or on Mars. The main building was perfectly round, with a domed roof. Beyond it each cabin was a circular domed structure of its own, trailing away from the mothership in a lazy curl, getting smaller as they went to exaggerate the perspective. Family rooms near the office, individual accommodations down the line. All the siding was painted silver, and there were vertical aluminium accents spaced to frame the windows and the doors. Concealed neon lighting in the eaves of the circular roofs cast a ghostly blue glow. The paths all around were made of grey gravel boxed in with timbers that were also painted silver. The pole the motel sign was set on was disguised with painted plywood to look like a space rocket resting on a tripod of slim fins. The motel’s name was the Apollo Inn, and it was written in letters that looked like the numbers on the bottom of a bank cheque.

  Inside, the main building was mostly an open space, except for a slice boxed off for a back office and what Reacher guessed were two restrooms. There was a curved reception counter and a hundred feet opposite there was a curved bar. The place was basically a lounge, with a pie-shaped parquet dance floor and huddles of red velvet chairs set around
cocktail tables equipped with lamps with tasselled shades. The interior of the domed roof was a concave cyclorama washed by red neon. There was plenty more indirect lighting everywhere else, all of it red or pink. There was tinkly piano music playing softly over hidden loudspeakers. The whole place was bizarre, like a 1960s vision of Las Vegas transplanted to outer space.

  And the whole place was deserted, apart from one guy at the bar and one guy behind it. Reacher waited at the reception counter and the guy behind the bar hustled over and seemed genuinely surprised when Reacher asked him for a room, as if such requests were rare. But he stepped to it smartly enough and coughed up a key in exchange for thirty dollars in cash. He was more than middle-aged, maybe fifty-five or sixty, not tall, not lean, with a full head of hair dyed a lively russet colour that Reacher was more used to seeing on Frenchwomen of a certain age. He put Reacher’s thirty bucks in a drawer and made a fussy notation in a book. Probably the heir of the lunatics who had built the place. Probably worked nowhere else his whole life, probably making ends meet by pulling quintuple duty as manager, desk clerk, barman, handyman and maid. He closed the book and put it in a different drawer and set off back towards the bar.

  ‘Got coffee over there?’ Reacher asked him.

  The guy turned and said, ‘Sure,’ with a smile and a measure of satisfaction in his voice, as if an ancient decision to set a Bunn flask going every night had been finally vindicated. Reacher followed him through the neon wash and propped himself on a stool three spaces away from the other customer. The other customer was a man of about forty. He was wearing a thick tweed sports coat with leather patches at the elbows. He had those elbows on the bar, and his hands were curled protectively around a rocks glass full of ice and amber liquid. He was staring down at it with an unfocused gaze. Probably not his first glass of the evening. Maybe not even his third or his fourth. His skin was damp. He looked pretty far gone.

  The guy with the dyed hair poured coffee into a china mug decorated with the NASA logo and slid it across the bar with great pride and ceremony. Maybe a priceless antique.

  ‘Cream?’ he asked. ‘Sugar?’