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  Vengeance: Mystery Writers of America Presents

  Lee Child

  When a different kind of justice is needed---swift, effective, and personal---a new type of avenger must take action. VENGEANCE features new stories by bestselling crime writers including Lee Child, Michael Connelly, Dennis Lehane, and Karin Slaughter, as well as some of today's brightest rising talents.

  The heroes in these stories include a cop who's seen too much, a woman who has been pushed too far, or just an ordinary person doing what the law will not. Some call them vigilantes, others claim they are just another brand of criminal.

  Edited and with an introduction by Lee Child, these stories reveal the shocking consequences when men and women take the law into their own hands.

  Full list of contributors:

  Alafair Burke

  Lee Child

  Michael Connelly

  Mike Cooper

  Brendan DuBois

  Jim Fusilli

  Michelle Gagnon

  Darrell James

  C.E. Lawrence

  Dennis Lehane

  Steve Liskow

  Rick McMahan

  Adam Meyer

  Dreda Say Mitchell

  Michael Niemann

  Twist Phelan

  Zoë Sharp

  Karin Slaughter

  Orest Stelmach

  Anne Swardson

  Janice Law Trecker

  ALSO BY LEE CHILD

  Killing Floor

  Die Trying

  Tripwire

  Running Blind

  Echo Burning

  Without Fail

  Persuader

  The Enemy

  One Shot

  The Hard Way

  Bad Luck and Trouble

  Nothing to Lose

  Gone Tomorrow

  61 Hours

  Worth Dying For

  The Affair

  ALSO FROM THE MYSTERY WRITERS OF AMERICA

  The Blue Religion

  (edited by Michael Connelly)

  Death Do Us Part

  (edited by Harlan Coben)

  The Prosecution Rests

  (edited by Linda Fairstein)

  CONTENTS

  Introduction by Lee Child

  THE FOURTEENTH JUROR by Twist Phelan

  LOST AND FOUND by Zoë Sharp

  THE MOTHER by Alafair Burke

  BLIND JUSTICE by Jim Fusilli

  THE CONSUMERS by Dennis Lehane

  MOONSHINER’S LAMENT by Rick McMahan

  RIVER SECRET by Anne Swardson

  HOT SUGAR BLUES by Steve Liskow

  THE FINAL BALLOT by Brendan DuBois

  AFRICA ALWAYS NEEDS GUNS by Michael Niemann

  THE UNREMARKABLE HEART by Karin Slaughter

  IT AIN’T RIGHT by Michelle Gagnon

  SILENT JUSTICE by C. E. Lawrence

  EVEN A BLIND MAN by Darrell James

  THE GENERAL by Janice Law

  A FINE MIST OF BLOOD by Michael Connelly

  LEVERAGE by Mike Cooper

  THE HOTLINE by Dreda Say Mitchell

  BLOOD AND SUNSHINE by Adam Meyer

  IN PERSONA CHRISTI by Orest Stelmach

  THE HOLLYWOOD I REMEMBER by Lee Child

  About the Authors

  Copyrights

  INTRODUCTION

  Editing this anthology was a lot of fun — not least because Mystery Writers of America’s invaluable and irreplaceable publications guy, Barry Zeman, did all the hard work. All I had to do was pick ten invitees. And write a story. And then later on read the ten winning stories chosen by MWA’s blind-submission process. Piece of cake. Apart from writing my own story, that is, which I always find hard, but that’s why picking the invitees was so much fun — I love watching something difficult being done really well, by experts.

  It was like playing fantasy baseball — who did I want on the field? And just as Major League Baseball has rich seams of talent to choose from, so does Mystery Writers of America. I could have filled ten anthologies. Or twenty. But I had to start somewhere — and it turned out that I already had, years ago, actually, when I taught a class at a mystery writers’ conference in California. One of the after-hours activities was a group reading around a fireplace in the motel. A bit too kumbaya for me, frankly, but I went anyway, and the first story was by a young woman called Michelle Gagnon. It was superb, and it stayed with me through the intervening years. So I e-mailed her about using it for this anthology — more in hope than in expectation, because it was such a great story, I was sure it had been snapped up long ago. But no — it was still available. Never published, amazingly. It is now.

  One down.

  Then I had to have Brendan DuBois. He’s a fine novelist but easily the best short-story writer of his generation. He just cranks them out, one after the other, like he’s casting gold ingots. Very annoying. He said yes.

  Two down.

  And I had Twist Phelan on my radar. She’s a real woman of mystery — sometimes lives on a yacht, sometimes lives in Switzerland, knows about oil and banks and money — and she had just won the International Thriller Writers’ award for best short story. I thought, I’ll have a bit of that. She said okay.

  Three down.

  Then there was the overtalented but undersung Jim Fusilli. He wrote two great New York novels that I really loved, and then four more just as good, and he’s the rock music critic for the Wall Street Journal. We make lists together, like the top three bands most dependent on their drummers for their sound. (Led Zeppelin, the Who, and the Beatles, obviously.)

  I asked; he said yes.

  Four down.

  And then, purely by chance, in the course of a conversation Karin Slaughter told me she’d just finished the nastiest story she’d ever written. Which had to be something, right? With Karin? I didn’t ask. I just told her.

  Five down.

  Alafair Burke was next. I’ve followed her novels from the very beginning and loved them all. Then she went and wrote a terrific story for Michael Connelly’s MWA anthology a few years ago. I thought, Hey, she did it for him, she can do it for me. I asked. She said yes.

  Six down.

  Then, because I’m a transatlantic person, I thought about a couple of great writers from the old country. First up: Dreda Say Mitchell. She’s five novels into a terrific career, and I find her narrative voice completely fresh and utterly addictive. I asked; she said yes.

  Seven down.

  Then, Zoë Sharp. If I were a woman, I’d be Zoë. If Jack Reacher were a woman, he’d be Zoë’s main character, Charlie Fox. A natural fit. I asked; she said yes.

  Eight down.

  Two spots left.

  I thought: Let’s complete the lineup with a couple of heavy hitters. I waited until both of my targets were drunk and happy at the Edgars, and I asked. Michael Connelly first. A busy guy, but a nice guy. He blinked. He said yes.

  Nine down.

  Then I turned to Dennis Lehane. Equally busy guy — he’d just had a kid. But equally nice too. He blinked. Twice. But he said yes.

  Bingo.

  So then it was about sharpening my editorial blue pencil and waiting for their stories to show up. They did, but I didn’t need the pencil. I think there was a spelling mistake in there somewhere, but authors like these don’t need help. So then it was about waiting for the MWA winning stories to arrive.

  The way it works is that any paid-up MWA member can submit a story; the author’s name is replaced with a code number, so the judges read each story blind. The selection panel evaluates them all and chooses the ten best. The panel for this anthology was Heather Graham, Tom Cook, David Walker, Joe Trigoboff, and Bre
ndan DuBois (pulling double duty, which was good of him — he could have written another nine or ten stories, probably, in the time it took). I thank them all for their hard work, and for their excellent judgment — the ten they came up with are first-class, and when the numbers were matched to the names, it turned out we had an interesting bunch of people.

  Ladies first: Anne Swardson submitted from Paris, where she’s been living for fifteen years as a heavy-duty financial journalist. Tough gig, but hey, someone’s got to do it. C. E. Lawrence is a multitalented New Yorker — writer, performer, poet, composer, and prize-winning playwright. Quite irritating. Janice Law is already an Edgar-nominated short-story writer (but the panel didn’t know that — remember the code numbers). She’s had stories published all over the place, so it’s no surprise she made the top ten.

  And the men: Rick McMahan is a special agent with the Department of Justice, so he walks the walk, and naturally he’s also published here and there. Adam Meyer is an accomplished movie and TV writer and novelist and short-story writer who comes from New York but lives in DC. Michael Niemann is a German guy who lives in Oregon and is mostly a nonfiction writer specializing in African and global issues. Orest Stelmach is a thriller writer from the Northeast. He’s fluent in four languages, which is four more than me on an average day. Darrell James lives in California and Arizona and is a multipublished and award-winning short-story writer, and also a debut novelist. Steve Liskow lives in Connecticut and is also a published novelist and short-story writer. And finally, Mike Cooper is a former financial guy from the Boston area whose stories have won a Shamus Award and been selected for The Best American Mystery Stories annual anthology.

  So, ten high-quality invitees and ten high-quality competition winners, plus me. We all got the same brief: Write about vengeance, revenge, getting even, maybe doing a bad thing for a good reason. Or a bad reason. It was a loose specification; a tighter one would have been ignored anyway. Writers are like that. Their imaginations run along unique and uncontrollable paths, as you will see. Or maybe as you’ve already seen. I know some people read anthologies back to front. If you’re one of them, thanks for reading. If you’re not, I hope you enjoy what follows.

  Lee Child

  New York

  THE FOURTEENTH JUROR

  BY TWIST PHELAN

  The two detectives stood in the reception area of the judge’s chambers on the fifth floor of the county courthouse. Ebanks made the introductions.

  “We have an appointment to see the judge,” he said.

  The secretary smiled at them. She was a discreetly elegant woman with assisted blond hair and not too much pink lipstick.

  “His Honor is expecting you,” she said. “He shouldn’t be too much longer. He’s just finishing up a JNOV hearing.”

  Ebanks had to cough.

  “May I get you something to drink?” the secretary asked.

  Ebanks cleared his throat. “No, thank you,” he said.

  “Coffee would be good,” Martinez said.

  Ebanks was pinning his hopes on Martinez. The guy was no genius, but once he got an idea in his head, he was relentless. If Ebanks could get him pointed in the right direction on this case, the rookie’s doggedness would pay off even after Ebanks retired next month.

  Ebanks wasn’t looking forward to turning in his shield. Some retired cops spent their days fishing or golfing or motor-homing to Arizona in the winter, but Ebanks didn’t own a motor home or play golf. He did like to fish, but he wouldn’t be getting up to the lake much. He’d be staying put in the house he’d grown up in. He and his wife lived there now.

  The two cops sat down on a long sofa. An abstract painting hung on the wall facing them, its vivid reds and bright oranges warming the room. Martinez ran a hand along the plump leather arm of the sofa. “Nice.”

  Ebanks glanced around. Smooth parquetry floors gleamed with wax. The government-issue fluorescent overhead fixtures had been replaced with incandescent models. Magazines — current issues only — were lined up equidistant from the edges of the cherry coffee table. The lone plant, a ficus tree, had been trimmed into perfect symmetry, its leaves polished to a glossy green.

  “Hmmm,” he said. The rookie was observant, but he usually drew the wrong conclusions.

  “How’s Sheila?” Martinez said.

  “Sonia,” Ebanks said. He didn’t really mind the mistake. After four years, hardly anyone on the force bothered to ask anymore. “Better,” he lied.

  Just then, the door behind the secretary’s desk opened. A woman and a man wearing suits walked out. The woman smoldered with unhappiness. The man bore the dazed grin of a lottery winner.

  The justice system at work, Ebanks thought.

  THE JUDGE STOOD to greet them as they entered his chambers. His lean, intense face was incised with deep vertical grooves. His body was long and angular. Metal-rimmed glasses were perched on his nose and disapproval was apparent in the set of his mouth, like the preacher in the Pentecostal church Ebanks had attended as a kid.

  “Sorry to keep you men waiting,” the judge said. “JNOVs are never easy. But it’s something that has to be done.”

  “JNOV?” Martinez said. “What’s that anyway?”

  The judge shook his head solemnly. “Of course — you’re from the criminal side. I wish I could do more work over there, but I go only when they need me to fill in. JNOV stands for Latin words that mean ‘judgment notwithstanding the verdict.’ If a jury comes back with a decision that’s contrary to the evidence, the judge has a responsibility to reverse it. The two people you saw leaving were a plaintiff’s attorney, who just lost a two-million-dollar punitive-damage award, and a very relieved defense counsel.”

  Ebanks massaged the bridge of his nose. Sonia hadn’t done well last night. He’d barely gotten two hours’ sleep.

  “Too bad crim court judges can’t do that,” Martinez said. “Some of these juries come back with the most half-ass —” He stopped himself, cheeks reddening.

  The judge smoothly stepped in. “What you’re saying is that jurors are often dazzled by attorney antics or irrelevant issues and so they don’t focus on the evidence.”

  “Yeah,” Martinez said gratefully.

  “As long as the Constitution says ‘jury of our peers,’ that’s who decides our cases,” the judge said, “but my fundamental duty is to see that justice is done. That female lawyer you saw ran rings around the defendant’s man; she bewitched the jury with her short skirts and PowerPoint closing argument. I can’t let that kind of thing stand. It’s my duty as a judge, in civil court at least. It’s my responsibility.”

  Ebanks noted the confident righteousness in the judge’s baritone voice. He looked around the office. The room was large enough to hold not only the judge’s desk and leather swivel chair but four guest chairs and a loveseat. The judge indicated they should take a seat in the guest chairs. He chose the leather swivel one.

  There was a tray of dry fly-tying tools on the credenza, with hooks, thread, hackle pliers and guards, scissors, whip finishers, and a vise all lined up in a precise row alongside small containers of feathers and what looked to Ebanks like white goat body hair, usually used for wings. Ebanks preferred Swiss straw.

  The photos on the wall behind the desk showed various images of the judge: proudly displaying a shoulders-wide trout; standing beside his partners — all wearing dark suits and rep ties — in the law firm he’d headed before ascending to the bench; and sitting stiffly with his wife in a room furnished in Modern Hunting Lodge (log timbers, antler chandelier, Black Watch plaid on the chairs).

  The mountain range visible through the window in the last photo told Ebanks the house was in the new development on the north shore of the lake. The environmentalists had screamed, but high-priced lawyering had won the day. A small gated community of million-dollar homes had been built in the remote area. Ebanks had once had a place near the lake, a decades-old A-frame.

  He used to fish the lake in a sweet little eighteen-fo
oter. Sometimes Sonia went with him. She’d pack thick sandwiches and iced tea in the cooler, and she’d bring a book. Wearing her floppy sun hat, she was content to read while he dropped his line. He’d sold the A-frame, his boat, and most of his gear when Sonia couldn’t go with him anymore. All he had left from those times was the nice Sage fly rod Sonia had given him one birthday.

  Ebanks studied the photo of the judge at his lake house. He noted the judge’s blond wife, the modern painting over the fireplace, the polished wood floors.

  Class, Martinez would say.

  Ebanks knew there was something else. The decor of the judge’s chambers matched the interior of his house. The shade of blond on the judge’s wife was nearly identical to the color of his secretary’s hair. The coffee table was cherry. The flowers in the vases were all trimmed to the same height and were the same shade as the red accent pillows.

  His Honor was a man who made sure everything was in order. Ebanks understood that.

  The judge regarded the two detectives, his gaze direct. “How can I help you gentlemen?”

  “We need to ask you a few questions about the Dolan case,” Martinez said.

  UNDER THE SPEEDY Trial Act, a criminal defendant has the right to go to trial within seventy days of his indictment or his initial court appearance, whichever comes first. If the trial doesn’t begin within that period, the charges are dismissed.

  Overworked defense attorneys usually ask for, and are readily given, extensions. But occasionally the system logjams, with too many trials and not enough judges to hear them. When that happens, the presiding judge requests that the civil bench jurists assist their criminal colleagues. Civil proceedings are delayed while judges used to hearing securities-fraud claims and divorces preside over robbery and assault trials instead.

  This judge had been drafted for such a criminal proceeding two weeks ago. Kenny Dolan was charged with second-degree murder for allegedly stabbing his wife during a domestic dispute. The case had gotten some pretrial coverage in the local press — Dolan was a catcher on the resident minor league team with a real chance of moving up to the big leagues.